catalogue

Gerald Segelman
1899–1992

A reclusive English millionaire who made his fortune in a line of cinemas and cafés, Gerald Segelman amassed one of the largest and most impressive collections of violins ever put together. Few people, even insiders in London’s violin scene, knew the extent of Segelman’s collection until after his death in 1992 when some details of a legal case involving his estate were reported to the press.

In his last years, Segelman sold some of his finest instruments, including his four violins by Guarneri del Gesù. But his remaining collection – scattered in various residences and bank vaults – still numbered many dozens of instruments and more than 200 bows. Many of the instruments were famous specimens that hadn’t been seen in decades, such as the Rode of 1722, one of the few decorated instruments by Antonio Stradivari.

 
(excerpted from the introduction)
“We can’t be certain exactly when he started collecting, but the earliest definite date is 31 August 1942 – a violin by Eugenio Degani, sold by Thomas Smith of Birmingham… Six weeks later on 12 October, he bought his first old master violin, a Nicolò Amati, and two days after that a David Tecchler. So began a staggering buying spree. By the end of the year he had accumulated another eight 18th-century Italian instruments…”

 

Book Description

A tribute to Segelman’s lifelong fascination with violins, this book tells the story of his collecting obsession, featuring colour photos and descriptions of 45 of the instruments he once owned. Included are examples by Antonio Stradivari, Giuseppe Guarneri del Gesù, Carlo Bergonzi, Nicolò Amati, Pietro Guarneri ‘of Venice’, G. P. Maggini, G. B. Guadagnini, J. B. Vuillaume, Lorenzo Storioni, and many other makers.

The standard edition of the book, limited to fifteen hundred numbered copies, is 216 pages and comes with a sturdy slipcase. Both the book and slipcase are bound in fine cloth.
A Deluxe Edition of the book, limited to 75 numbered copies, is bound in burgundy goatskin.

 

About the Author

Andrew Hooker

Andrew Hooker joined the musical instruments department at Sotheby’s in 1977. He became a violin auctioneer and a director of the department before leaving to set up his own business in London. In 1997 he ran out of space and converted a large church in the country into his showroom. It was at Sotheby’s that he became personally acquainted with Segelman, who would often make a private appointment to view the instruments being auctioned. In this book, Hooker takes a fresh approach to describing the instruments by focusing on their condition. Another departure from convention is the inclusion of a few instruments whose attribution is uncertain, despite being certified by respected experts.

 

Featured Instruments

A. & H. Amati, Cremona, 1590. Baron Knoop
Nicolò Amati, Cremona, 1645
Nicolò Amati, Cremona, 1662
Nicolò Amati, Cremona, 1666
Tommaso Balestrieri, Mantua, c.1750
Carlo Bergonzi, Cremona, 1732. Baron Heath
Carlo Bergonzi, Cremona, 1736
Michelangelo Bergonzi, Cremona, c.1750
attrib. Nicolo Bergonzi, Cremona, c.1790
John Betts, London, 1785
Camillo Camilli, Mantua, c.1750
Johannes Cuypers, The Hague, c.1790
Eugenio Degani, Venice, 1898
Alessandro Gagliano, Naples, c.1720
Ferdinando Gagliano, Naples, 1785
Nicolo Gagliano, Naples, 1761
Francesco Gobetti, Venice, 1715
Matteo Goff riller, Venice, 1700
Giovanni Grancino, Milan, c.1695
Giovanni Battista Guadagnini, Piacenza, 1744
Giovanni Battista Guadagnini, Milan, 1751
Guarneri del Gesù, Cremona, 1734. Haddock
Guarneri del Gesù, Cremona, 1742. Sloan

Pietro Guarneri of Venice, Cremona, 1721
attrib. Heesom, London, c.1735
Carlo Ferdinando Landolfi, Milan, 1753
The Dumas Maggini violin
Giovanni Paolo Maggini. Viola. Dumas
Giovanni Francesco Pressenda, Turin, 1833
Giuseppe Antonio Rocca, Turin, 1843
Giovanni Battista Rogeri, Brescia, 1703
Francesco Rugeri, Cremona, 1675
Santo Serafi n, Venice, 1743. Baron Knoop
Lorenzo Storioni, Cremona, 1768
Lorenzo Storioni, Cremona, 1788
A. Stradivari, Cremona, 1692 Segelman cello
A. Stradivari, Cremona, 1719. Wieniawski
A. Stradivari, Cremona, 1722. Rode
A. Stradivari, Cremona, 1733. Tangye
David Tecchler, Rome, 1730
Giovanni Tononi, Bologna, 1701
Unknown Italian, 18th century
J. B. Vuillaume, Paris, 1863
J. B. Vuillaume, Paris, c.1870
J. B. Vuillaume, Paris, 1874

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Grafik Karin Rüegg